1920s Fashion Both Mens and Women

Clothing in the 1920s

Canadian Dwelling house Periodical, 1920

Brazilian women salute Belgian monarchs on their arrival in Belo Horizonte, Brazil. two October 1920

A drawing picturing French women'southward style, c.1921

Lawn tennis player, Commonwealth of australia 1924

Western fashion in the 1920s underwent a modernization. For women, mode had continued to change away from the improvident and restrictive styles of the Victorian and Edwardian periods, and towards looser habiliment which revealed more of the arms and legs, that had begun at least a decade prior with the ascent of hemlines to the ankle and the movement from the Due south-bend corset to the columnar silhouette of the 1910s. Men also began to wear less formal daily attire and athletic wearable or 'Sportswear' became a part of mainstream way for the beginning time. The 1920s are characterized by 2 singled-out periods of way: in the early role of the decade, modify was slower, and there was more reluctance to wear the new, revealing popular styles. From 1925, the public more passionately embraced the styles now typically associated with the Roaring Twenties. These styles continued to narrate manner until the worldwide depression worsened in 1931.

Overview [edit]

After Earth State of war I, the The states entered a prosperous era and, as a consequence of its part in the state of war, came out onto the world phase. Social customs and morals were relaxed in the optimism brought on by the end of the war and the booming of the stock market. Women were entering the workforce in record numbers. In the United States, in that location was the enactment of the 18th Amendment, or as many know it, Prohibition, in 1920. Prohibition stated that it would be illegal to sell and eat booze. This lasted until 1933, and then it was a constant for the whole 1920s era. They instilled this "noble experiment" to reduce crime and abuse, solve social issues, reduce the tax brunt created past prisons and poorhouses, and improve health and hygiene. The nationwide prohibition on alcohol was ignored by many resulting in speakeasies. Another of import amendment in the The states was the 19th Amendment, which gave women the right to vote. In that location was a revolution in almost every sphere of human activity. Manner was no exception; women entered the workforce and earned the right to vote, and they felt liberated. Fashion trends became more accessible, masculine, and practical, creating the emergence of "The New Adult female". Flappers was a popular name given to women of this time because of what they wore. The constrictive corset, an essential undergarment to brand the waist thinner, became a thing of the by.^[1]

The evolution of new fabrics and new means of fastening habiliment affected fashions of the 1920s. Natural fabrics such as cotton fiber and wool were the abundant fabrics of the decade. Silk was highly desired for its luxurious qualities, but the limited supply made it expensive. In the late 19th century, "artificial silk" was outset made in French republic, from a solution of cellulose. After being patented in the The states, the first American establish began product of this new textile, in 1910. This fiber became known as rayon. Rayon stockings became pop in the decade as a substitute for silk stockings. Rayon was as well used in some undergarments. Many garments before the 1920s were attached with buttons and lacing. Yet, during this decade, the development of metal hooks and optics meant that there were easier means of fastening wearable. Hooks and optics, buttons, zippers, and snaps were all used to fasten wearable.

Vastly improved production methods enabled manufacturers to easily produce clothing affordable by working families. The boilerplate person'south fashion sense became more than sophisticated. Meanwhile, working-class women looked for modern forms of dress as they transitioned from rural to urban careers. Taking their cue from wealthier women, working women began wearing less expensive variations on the twenty-four hours adjust, adopting a more modern look that seemed to suit their new, technologically focused careers equally typists and telephone operators.^[2]

Although simple lines and minimal adornment reigned on the runways, the 1920s were not free of luxury. Expensive fabrics, including silk, velvet, and satin were favored by high-end designers, while department stores carried less expensive variations on those designs made of newly available synthetic fabrics. The use of mannequins became widespread during the 1920s and served as a way to show shoppers how to combine and accessorize the new fashions. The modern style bike, established in the 1920s, nonetheless dominates the industry today. Designers favored separates in new fabrics like bailiwick of jersey that could be mixed and matched for work and modernistic, informal, united nations-chaperoned social activities like attending films or the theater and auto rides.^[ii]

Women's habiliment [edit]

Bellas Hess and Company advertise particular, 1920

By early 1920s, well-nigh women not dared to bob their hair, then they pinned up to wait shorter. Mlle Cayet, Queen of Parisian Carnival, 1922

Betwixt 1922 and 1923, the waistline dropped to the hips. The 1920s classic tubular mode was born. Parisian fashion business firm Madeleine-et-Madeleine blueprint, January, 1922.

Paris ready the fashion trends for Europe and North America.^[3] The mode for women was all about letting loose. Women wore dresses all day, every day. Day dresses had a drop waist, which was a belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never in a higher place. Daywear had sleeves (long to mid-bicep) and a skirt that was straight, pleated, hank hem, or tiered. Hair was oft bobbed, giving a adolescent expect.^[4]

Habiliment fashions changed with women's changing roles in gild, particularly with the idea of new manner. Although gild matrons of a certain age continued to wear bourgeois dresses, the sportswear worn by forward-looking and younger women became the greatest change in mail-state of war fashion. The tubular dresses of the 'teens had evolved into a similar silhouette that now sported shorter skirts with pleats, gathers, or slits to let motion. The most memorable manner trend of the Roaring Twenties was undoubtedly "the flapper" expect. The flapper wearing apparel was functional and flattened the bust line rather than accentuating it.^[one]

The straight-line chemise topped by the shut-fitting cloche chapeau became the compatible of the day. Women "bobbed", or cut, their pilus short to fit nether the popular hats, a radical move in the outset, merely standard past the terminate of the decade. Depression-waisted dresses with fullness at the hemline allowed women to literally kick up their heels in new dances similar the Charleston. In 1925, "shift" type dresses with no waistline emerged. At the finish of the decade, dresses were being worn with directly bodices and collars. Tucks at the lesser of the bodices were popular, besides equally knife-pleated skirts with a hem approximately one inch below the human knee.^[five]

In the world of art, fashion was beingness influenced heavily past fine art movements such as surrealism. Elsa Schiaparelli is i key Italian designer of this decade who was heavily influenced by the "across the real" art and incorporated it into her designs.

Proper attire for women was enforced for morning, afternoon, and evening activities. In the early part of the decade, wealthy women were still expected to change from a morning to an afternoon clothes. These afternoon or "tea gowns" were less form-fitting than evening gowns, featured long, flowing sleeves, and were adorned with sashes, bows, or artificial flowers at the waist. For evening wear the term "cocktail wearing apparel" was invented in France for American clientele. With the "New Adult female" also came the "Drinking Woman". The cocktail dress was styled with a matching hat, gloves, and shoes. What was so unique about the cocktail apparel was that information technology could exist worn not just at cocktail hours (half-dozen and 8pm), just past manipulating and styling the accessories correctly could be worn accordingly for whatever event from 3 pm to the belatedly evening. Evening gowns were typically slightly longer than tea gowns, in satin or velvet, and embellished with beads, rhinestones, or fringe.^[2]

Accessories [edit]

One of the primal accessories in the 20s was the Cloche lid. "In 1926 Vogue stated 'The Bob Rules', just nine years after the influential dancer, Irene Castle, cut her pilus. This trending topic inspired a 1920 curt story by F. Scott Fitzgerald, called Bernice Bobs Her Hair, and many editorials in Vogue throughout the decade."^[6] The bob hairstyle matched perfectly with the loose and straight silhouette of the times. During this era Vogue gave credit to this new cutting for the immense success of the hat business. New haircuts meant new styled hats, therefore there was a new craze for hats. The cloche hat and the bob were basically fabricated for each other.

Jewelry was less conspicuous.^[7] Jewelry was much less elaborate, and began using 'romantic', more natural shapes. The Art Nouveau movement of 1890-1910 inspired most of the natural forms and geometric shapes of the jewelry during the 1920s. "Artful clean lines were inspired by designs found in industrial machines. A cardinal influence of this modernism was the influential Bauhaus move, with its philosophy of form following function. Contrasting textures and colour were besides in way. Examples of changing tastes in design were the use of diamonds being set against onyx or trans lucid vitrines and amethysts juxtaposed confronting opaque coral and jade."^[8] Fifty-fifty though geometric shapes and cleaner shaped jewelry were now a trend, one of the central pieces was the long rope pearl necklace. The long rope pearl necklace was a signature imitation slice that was sold everywhere at the time. It was inexpensive and basic in a woman's wardrobe. "Although buffeted by cycles of boom, depression and war, jewelry pattern between the 1920s and 1950s continued to exist both innovative and glamorous. Precipitous, geometric patterns celebrated the car age, while exotic creations inspired by the Well-nigh and Far E hinted that jewelry fashions were truly international."^[nine]

Shoes were finally visible during the 1920s. Before, long garments covered up shoes, so they weren't an important part of women's way. At present, shoes were seen by everyone and played an important role during the 1920s. Women had all kinds of shoes for all kinds of events. Everything from business firm shoes, walking shoes, dancing shoes, sporting shoes, to swimming shoes. The shoe industry became an important industry that transformed the way we purchase shoes today. Shoes were made in standard sizes perfect to order from manner catalogs to the nearly boutique. In the start of the 1920s, Mary Janes were still pop from previous era, although they paved the fashion for the invention of many other shoes. The T-strap heel was a variation of the Mary Jane, having the same base with the improver of a strap going effectually the heel and down to the height of the shoe that looked like a T. Besides, "The bar shoe which fastened with a strap and a single button became popular during the 1920s. It was worn with the new short skirts and was practical for their vigorous style of dancing."^[10]

The influence of jazz [edit]

"The Jazz Historic period", a term coined by F. Scott Fitzgerald, was a phrase used to represent the mass popularity of jazz music during the 1920s.^[eleven] Both jazz music and trip the light fantastic marked the transition from the archaic societal values of the Victorian era to the arrival of a new youthful modernistic gild. Jazz gained much of its popularity due to its perceived exoticism, from its Afro-American roots to its melodic and soulful rhythm. The music itself had quite an alluring effect on the new youthful society and was considered to be the pulse of the 1920s due to its spontaneity. With new music emerged new dancing. Jazz dances, such as the Charleston, replaced the slow waltz. Paul Whitman popularized jazz trip the light fantastic toe. In fact, jazz music and dance are responsible for the origin of the iconic term "flapper", a group of new socially anarchistic ladies. When dancers did the Charleston, the fast move of the anxiety and swaying of the arms resembled the flapping movements of a bird.^[11] Jazz music sparked the need to dance, and trip the light fantastic toe sparked the demand for new clothing, especially for women to hands dance without being constricted.

Dances such as the Charleston and the Black Bottom in particular created a demand for a revival in women'southward evening wear due to the dynamic and lively manner of these jazz dances. Dress and skirt hems became shorter in gild to let the body to move more hands. In improver, decorative embellishments on dresses such as fringe threads swung and jingled in sync with the movement of the torso. Lastly, the utilize of glossy and ornate textiles mirrored light to the tempo of jazz music and dance.^[12] Jazz music and its perceived exotic nature had both a flamboyant influence on way while keeping both form and part in mind.

Jazz and its influence on fashion reached even further, with both jazz and dance motifs making their manner onto textiles. These new textile designs included uneven repetitions and linear geometric patterns. Many cloth patterns produced in the Us likewise incorporated images of both jazz bands and people dancing to jazz.^[thirteen] The impress Rhapsody shows a textile produced in 1925 representing a jazz band in a polka-dot like manner.^[14] Non only did textiles have motifs of people dancing and playing jazz music, they included designs that were based on the overall rhythmic experience and sound of jazz music and dance.

The adolescent figure [edit]

Undergarments began to transform after World War I to conform to the ethics of a flatter chest and more boyish figure. The female effigy was liberated from the restrictive corset, and newly pop the boyish expect was accomplished through the employ of bosom bodices. Some of the new pieces included chemises, sparse camisoles, and cami-knickers, later shortened to panties or knickers. These were primarily made from rayon and came in soft, light colors in order to be worn under semi-transparent fabrics.^[xv] Young flappers took to these styles of underwear due to the power to move more freely and the increased comfort when dancing to the high tempo jazz music. During the mid-1920s, all-in-one lingerie became popular.

For the first time in centuries, women's legs were seen with hemlines rise to the knee and dresses becoming more fitted. A more masculine await became popular, including flattened breasts and hips, curt hairstyles such equally the bob cut, Eton crop, and the Marcel moving ridge. The fashion was seen as expressing a maverick and progressive outlook.

One of the starting time women to wear trousers, cut her hair brusk, and reject the corset was Coco Chanel. Probably the near influential woman in fashion of the 20th century, Chanel did much to farther the emancipation and freedom of women'south style.

Jean Patou, a new designer on the French scene, began making ii-piece sweater and skirt outfits in luxurious wool jersey and had an instant hit for his morn dresses and sports suits. American women embraced the clothes of the designer every bit perfect for their increasingly agile lifestyles.

By the terminate of the 1920s, Elsa Schiaparelli stepped onto the stage to represent a younger generation. She combined the idea of classic design from the Greeks and Romans with the modernistic imperative for liberty of motion. Schiaparelli wrote that the aboriginal Greeks "gave to their goddesses... the placidity of perfection and the fabulous advent of freedom." Her ain estimation produced evening gowns of elegant simplicity. Parting from the chemise, her apparel returned to an awareness of the body beneath the evening gown.

Mode gallery 1920–25

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  Summer sport suit, 1920.

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  Actress Elaine Hammerstein, 1921. The forehead was usually covered in the 1920s, here by a hat reaching to the eyebrows.

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  Rolled stockings, 1922.

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  Robe de style, Lanvin, 1922.

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  Dress with a dropped waist and width at the hips, 1923.

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  Teenage girls in Minnesota wearing breeches and riding boots with men'south neckties, 1924.

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  By 1925, skirts ended only below the knee. Tunic-tops and sweaters reaching to the hips were popular.

Style gallery 1926–29

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  Actress Aileen Pringle wearing a cloche hat and boldly patterned coat, 1926.

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  Actress Alice Joyce in a directly dress with a sheer beaded overdress, 1926.

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  A painting showing the mid-decade silhouette at its simplest: languid pose, bobbed pilus, knee-length dress with dropped waist, 1926.

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  Adult female with Umbrella, Ipolit Strâmbu, 1927. Designers used multiple hemlines (hither, tiers of ruffles) to accustom the eye to longer skirts. This dress foreshadows the college waist and feminine look that spread to everyday manner by the early 1930s.

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  Woman hiding a hip flask tucked in her garter belt during Prohibition, late 1920s.

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  May 1928, abdomen and curves. Later many years of a "stovepipe" silhouette, "natural" curves were start to reappear.^[16]

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  Articulatio genus-length, pleated skirts and dropped waists were still popular as everyday wearing apparel in 1929, though Paris designers were already showing longer skirts and higher waistlines.

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  Bridesmaids gowns of 1929 have knee-length underskirts and longer, sheer over skirts, foreshadowing the trend toward longer skirts. Minnesota, 1929.

Menswear [edit]

In menswear, there were two distinct periods in the 1920s. Throughout the decade, men wore short suit jackets, the old long jackets existence used merely for formal occasions. In the early 1920s, men's fashion was characterized by extremely high-waisted jackets, frequently worn with belts. Lapels on suit jackets were not very wide as they tended to be buttoned up loftier. This style of jacket seems to take been greatly influenced by the uniforms worn by the war machine during the First Globe War. Trousers were relatively narrow and directly and they were worn rather brusk and so that a man's socks ofttimes showed. Trousers also began to exist worn cuffed at the bottom at this fourth dimension.

By 1925, wider trousers commonly known as Oxford numberless came into fashion, while suit jackets returned to a normal waist and lapels became wider and were oftentimes worn peaked. Loose-fitting sleeves without a taper as well began to exist worn during this menstruation. During the late 1920s, double-breasted vests, often worn with a single-breasted jacket, also became quite stylish. During the 1920s, men had a variety of sport clothes available to them, including sweaters and short trousers (commonly known in American English language equally knickers). For formal occasions in the daytime, a morning suit was usually worn. For evening wear men preferred the short tuxedo to the tail coat, which was now seen equally rather old-fashioned and bossy.

Men's fashion besides became less regimented and formal. Men favored curt jackets with ii or three buttons rather than jackets with long tailcoats as well every bit pinstriped suits. Casual-wear for men often included knickers, curt pants that came to the knee.^[1] The virtually formal men's suit consisted of a black or midnight-blue worsted swallow-tailed coat trimmed with satin, and a pair of matching trousers, trimmed downward the sides with wide braid or satin ribbon.^[17] A white bow tie, black silk top chapeau, white gloves, patent leather Oxford shoes, a white silk handkerchief, and a white flower boutonnière completed the outfit. The tuxedo vest could be black or white, but, dissimilar the obligatory full-clothes white necktie, tuxedos ties were always blackness. Men usually completed their tuxedo outfit with all the same accessories as the total-apparel adapt, except that instead of top hats they would vesture nighttime, dome-shaped hats called bowlers. Just like women, men had sure attire that was worn for certain events. Tuxedos were appropriate attire at the theater, modest dinner parties, entertaining in the home, and dining in a restaurant. During the early 1920s, most men'southward dress shirts had, instead of a collar, a narrow collar with a buttonhole in both the front and dorsum. By the mid-1920s, nonetheless, many men preferred shirts with fastened collars, which were softer and more than comfortable than rigid, detachable collars.^[17]

Men'due south hats

Men's hats were usually worn depending on their grade, with upper class citizens usually wearing superlative hats or a homburg lid. Eye-class men wore either a fedora, bowler chapeau, or a trilby lid. During the summertime months, a straw boater was popular for upper class and centre-class men. Working-class men wore a standard newsboy cap or a flat cap.

Fashion gallery

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  Publisher Edward Beale McLean wearing a iii-slice striped accommodate with a spread-neckband shirt, 1924.

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  German aviators, one a prince, 1929.

Way influences and trends [edit]

During the 1920s, the notion of keeping up with fashion trends and expressing oneself through material goods seized middle-class Americans as never earlier. Purchasing new clothes, new appliances, new automobiles, new anything indicated one's level of prosperity. Beingness considered sometime-fashioned, out-of-date, or—worse however—unable to afford fashionable new products was a fate many Americans went to great lengths to avoid.^[17]

For women, face, effigy, coiffure, posture, and grooming had become important fashion factors in addition to clothing. In particular, cosmetics became a major industry. Women did not feel aback for caring about their advent and it was a announcement of self-worth and vanity, hence why they no longer wanted to attain a natural look. For evenings and events, the popular look was a smoky heart with long lashes, rosy cheeks and a bold lip. To emphasize the eyes, Kohl eyeliner became popular, and was the get-go time they knew anything of eyeliner (information most Egyptian mode was non discovered until later on on in the 1920s). Women also started wearing foundation and using pressed pulverization. Also, with the invention of the swivel lipstick, lipstick was on the ascent with bright colors and they applied their lipstick to attain a cupid's bow and "bee stung" look.

Glamour was at present an important fashion tendency due to the influence of the move picture industry and the famous female movie stars. Fashion, at many social levels, was heavily influenced by the newly created, larger-than-life movie stars. For the commencement time in history, fashion influences and trends were coming from more than one source.^[v] Non unlike today, women and men of the 1920s looked to movie stars as their fashion icons. Women and men wanted to emulate the styles of Hollywood stars such equally Louise Brooks, Greta Garbo, Rudolph Valentino, and Clark Gable.^[1]

Piece of work apparel [edit]

For working form women in the 1920s, tailored suits with a directly, bend less cutting were popular. Throughout the decade, the lengths of skirts were rise to the knee joint and then to the ankle diverse times affecting the skirt way of tailored suits.^[eighteen] Rayon, an artificial silk fabric, was most common for working-class women wear.^[19]

For working-grade men in the 1920s, suits were pop. Depending on the job title and flavour of the yr, the accommodate would change.^[20] These would have featured high lapels and were often made of thick wool material before the advent of central heating.^[21]

Children's style [edit]

Fashion for children started to become more than stylish and comfortable in the 1920s. Clothes were made out of cotton and wool rather than silk, lace, and velvet. Clothes were as well fabricated more sturdy in social club to withstand play. During previous decades, many layers were worn; still, during the 1920s, minimal layers became the new standard.^[22]

For girls, clothing became looser and shorter. Dresses and skirts were now knee length and loose fitting. Shoes were also made out of canvas, making them lighter and easier to wear.^[22]

For boys, knee-length trousers were worn all yr long and would be accompanied by ankle socks and canvas shoes. Pullovers and cardigans were also worn when the conditions became libation.^[22]

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  Roller-skater, Mississippi, 1921.

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  Children'southward mode, Germany, 1925.

Run across also [edit]

• Cosmetics in the 1920s
• Roaring Twenties
• Flapper
• Interwar period

Notes [edit]

1. ^ ^{a b c d} Marsha West. Fashion Trends of the Twenties. July 1, 2008.
2. ^ ^{a b c} Fashion in the 1920s (Overview). Pop Culture Universe: Icons, Idols, Ideas. ABC-CLIO, 2011. Retrieved December 24, 2012.
3. ^ Mary Louise Roberts, "Samson and Delilah revisited: the politics of women'south manner in 1920s French republic". American Historical Review 98.3 (1993): 657-684.
4. ^ Steven Zdatny, "The Boyish Look and the Liberated Woman: The Politics and Aesthetics of Women's Hairstyles." Fashion Theory 1.iv (1997): 367-397.
5. ^ ^{a b} Carol Nolan. "Ladies Fashions of the 1920s". Retrieved December 24, 2012.
6. ^ "Vogue by the Decade". Faddy.
7. ^ Simon Bliss, "'Fifty'intelligence de la parure': Notes on Jewelry Wearing in the 1920s." Fashion Theory 20.1 (2016): 5-26.
8. ^ "1920s Jewellery Style and Inspiration". Winterson.
9. ^ "A history of jewellery". Victoria and Albert.
10. ^ Sancaktar, Asli. "An Assay of Shoe Inside the Context of Social History of Manner" (PDF).
11. ^ ^{a b} Langley, Susan (2005-09-28). Roaring '20s Fashions: Jazz. Atglen, PA: Schiffer Publishing. ISBN9780764323195.
12. ^ Hannel, Susan L. (2005). "4 The Influence of American Jazz on Manner". Twentieth-Century American Mode. Dress, Body, Culture. doi:10.2752/9781847882837/tcaf0008. ISBN9781847882837.
13. ^ Hannel, Susan L. (2002). The Africana craze in the Jazz Historic period : a comparison of French and American style, 1920-1940 / (Thesis). ^{[ permanent dead link ]}
14. ^ "Textile, Americana Impress: Rhapsody, 1925". Cooper Hewitt, Smithsonian Design Museum . Retrieved 2017-10-09 .
15. ^ Thornton, Zita (2011). Fashion for a Jazz Age. Chicago, IL: Lightner Publishing Corp. p. 39.
16. ^ "Back to Beauty". The Spirella Magazine. May 1928. p. 72.
17. ^ ^{a b c} Bob Batchelor. "Fashion in the 1920s". American Pop: Popular Culture Decade by Decade, Volume 1: 1900–1929. Greenwood Printing, 2009. pp. 292-302.
18. ^ Vermont, Jens Hilke, Academy of. "Women's Clothing - 1920s - Wearable - Dating - Landscape Alter Program". www.uvm.edu . Retrieved 2016-xi-15 .
19. ^ "History of Womens Fashion - 1920 to 1929 | Glamourdaze". glamourdaze.com . Retrieved 2016-eleven-15 .
20. ^ "What Did Women & Men Wear in the 1920s?". VintageDancer.com. 2013-06-21. Retrieved 2016-11-xv .
21. ^ "1920s Men's Way From Peaky Blinders To Gatsby". The Costume Rag. 2019-12-13. Retrieved 2019-12-17 .
22. ^ ^{a b c} "1920 Children's Fashion Facts". LoveToKnow . Retrieved 2016-x-17 .

Further reading [edit]

• Arnold, Janet: Patterns of Fashion two: Englishwomen'due south Dresses and Their Construction C.1860–1940, Wace 1966, Macmillan 1972. Revised metric edition, Drama Books 1977. ISBN 0-89676-027-eight
• Black, J. Anderson, and Madge Garland, A History of Fashion, New York, Morrow, 1975
• Boucher, François: 20,000 Years of Fashion, Harry Abrams, 1966.
• Laver, James: The Curtailed History of Costume and Style, Abrams, 1979.
• Nunn, Joan: Fashion in Costume, 1200–2000, 2nd edition, A & C Black (Publishers) Ltd; Chicago: New Amsterdam Books, 2000. (Excerpts online at The Victorian Spider web)
• Russell, Douglas A. " Costume History and Style" Stanford University, 1983.
• Steele, Valerie: Paris Fashion: A Cultural History, Oxford University Press, 1988, ISBN 0-nineteen-504465-7
• Steele, Valerie: The Corset, Yale University Press, 2001
• The Spirella Magazine; MAY 1928
• Children's fashion of the 1920s

External links [edit]

• 1920s Fashion Plates of men, women, and children'due south fashion from The Metropolitan Museum of Art Libraries
• Photographs from the 1920s taken by photographer, Henry Walker at the University of Houston Digital Library
• "1920s - 20th Century Fashion Drawing and Illustration". Fashion, Jewellery & Accessories. Victoria and Albert Museum. Archived from the original on 2011-01-08. Retrieved 2011-04-03 .

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